Dickinson, Death, Nature

Reading the poems for next class, so many of the ones regarding death stuck out to me. I know Dickinson writes about death frequently, but here I especially noticed. Letter 448 is the one I keep coming back to. Throughout this poem, and many others, she talks a lot about tombs/graves in conjunction with death. I don’t know if this a “modern” thought, but I wonder if she views graves as the best form of burial (when thinking of cremation, donation, etc). Also, 448 mention nature alongside death, “Until the Moss had reached our lips.” I think there can be many connections of nature, death, and the natural here. Ok ok so overall I’m curious how other people view Dickinson with her death writings, and also how she includes nature with this topic ??

Tanner’s CS for March 19

Hello! The letters for 3/19 consist of Dickinson’s correspondence to T.W. Higginson and Helen Jackson. I have a few questions in regards to Dickinson’s relationship to these two, as well as a question on a specific letter itself. Feel free to answer any!

Dickinson’s letters to T.W. Higginson and Helen Jackson are both very intriguing, especially when you look at their relationships. The letters between Higginson and Dickinson felt very special, especially as we see them over time. We know that Higginson acted as a mentor to Dickinson, and it is clear in their correspondences, but there also feels to be a deep friendship embedded. Dickinson writes to him in times of sorrow, illness, happiness, and more. I was wondering what people made of their relationship. While it is a mentorship, would you also ascribe something additional: parental, friendship, writers, all of the above? Do you find importance in looking at this relationship outside of just mentorship? 

Additionally, Dickinson and Helen Jackson show a great friendship through their letters. In letters 573A-C, we see Jackson encouraging, and succeeding, in asking Dickinson to publish some of her writing. Helen even writes that she will take care of everything, and write from her own hand, just so Dickinson is read. Why do you think Helen was the one successful in getting Dickinson to agree, as we know she was reluctant to publish her works. Does Jackson also being a writer aid in her persuasiveness, or more her friendship? What is the importance of another woman encouraging Dickinson to publish her work anonymously? 

Lastly, the letter that stuck out to me the most is letter 459A which is written to Higginson. The letter reads: “Nature is a Haunted House – but Art – a House that tries to be haunted.” This letter feels very poetic, and it was thought to be seemingly sent on its own. I don’t want to give too much of my thoughts away, as to answer the question. So, I am curious about your reading of this letter (letter-poem?). What is Dickinson trying to express through calling nature a “Haunted House,” and art as “trying to be haunted?” Does the letter work to invoke a specific sort of emotion, specifically when thinking of the word haunted? Also, is there something to be said about the capitalization of certain words? I just want everyone to have a go at this letter in any way they see fit!

I look forward to hearing thoughts!

A Whitman Letter

I was quickly looking at the archives, specially Whitman’s letters, and I found this letter he wrote to Ralph Waldo Emerson during the Civil War. I just think it connects so well with what we were discussing in class the past couple days in regards to Whitman and war that I had to share. The highlighted bit is something that stuck out to me: his connection to America and the soldiers. This letter definitely shows his “spiritual wound dresser” character ! (also notice the word electric again…)

Camerado

At the end of class we were discussing what Whitman meant by the address “Camerado” at the end of his poem Song of the Open Road. This word felt like a reward of sorts. I say reward in relation to the readers of the the poem, “Camerado” feels like a compliment to those who have finished reading Song of the Open Road-they are now considered comrades. With these comrades, Whitman holds out his hand to allow those to join him in finding wonder/beauty in everything.