The ethics of representation

As promised in class, I am opening this topic for discussion since we didn’t get to it today. I think there are many ways that this connects to (but is not the same as) Whitman’s model of selfhood, which some of you may be writing about through the prompt in Response #1. The basic question might be phrased something like this: when Whitman represents, includes, or speaks for others, does he do so ethically and in a way that respects their otherness from him (in identity and experience)? I think we also want to think through what might be our contemporary understanding of that question as well as what it might have meant in his own historical moment.

A few passages in which we might ground discussion. Feel free to add more.

Section 24, page 211, the two stanzas beginning “Through me many long dumb voices”

Section 33 following the long catalog, starting page 224 with “I am a free companion” and continuing through the rest of section on 226.

Aaliyah’s CS for January 27

Snow and Whitman, what more can we ask? 

We’ve read two versions of “Song of Myself,” and I instantly noticed a different tone in the 1891-92 version. These lines from the opening section were seemingly added in: 

My tongue, every atom of my blood, form’d from this soil, this air  

Born here of parents born here from parents the same,  

I, now thirty-seven years old in perfect health begin,  

Hoping to cease not till death. (lines 6-9) 

Here, it seems to be an older Whitman reflecting on his past self. There’s almost this conclusion that this poem started in 1855, and, although he’s about to die, this conversation existed before and will continue after him.  

Because we are aware of his life story and the context he lived in, our reading is inherently altered. When I first read these lines, it set a tone of death and intrinsic sadness to the entire poem as I knew Whitman was revising this on his literal death bed.  

But do you have any other interpretations of how this first section functions as a “prelude” to the rest of the poem? How did you feel initially reading this? Does this say anything about the process of a writer? 

A contributor to this sadder tone is the lack of ellipses and his demure use of exclamation marks. In our class on January 22, we discussed his use of punctuation in the 1855 version, and how the ellipses provide space for both the speaker/Whitman and the reader to contemplate his points. In the “death bed” edition, Whitman omits ellipses, giving a definitive and serious voice. Part of me believes this has to do with his age and gained maturity (as a person and writer) but also because of the change in broader America. Whitman initially wrote “Song of Myself” before the Civil War, and, in this final version, the country was dealing with the effects of reconstruction and the promises of the 20th century. 

Are there different ways the tone is being depicted other than punctuation? Any other parts where the tone seems extremely precise, even morbid? How do you think his experiences as a nurse contributed to his more certain tone? Are there specific parts which document America’s change? 
 

Enjoy the snow and stay safe! 

Aaliyah